Work

Artist Statement

Mehreen Hashmi

Voices, chaos of thoughts in my mind, emotional warfare in my heart, and the mental travel between sanity and insanity, all get a visual depiction in my work. I make work to celebrate my resilience, explore my emotions, and visualize myself as an entire person. It all speaks to the audience in the end as self-portraits.  My work has evolved with time and ongoing healing while accepting the dysfunctionality of my mind and nerves. What is healing, though? Does it cure to the fullest, and I will lose my series of thoughts which has been my closest companion?  Although it’s more than chaotic thoughts. I am a person who is interrogating my unorthodox identity in an orthodox society. It narrates a paradigm between survival mode as an effect of the triggered stage and days earned after sanity with my resilience. I explore the metamorphosis of my emotions and vulnerability with the optimism of healing. Mentally, I live in a world that cannot be translated; it can be dreamed of or touched through visuals, and it serves as my catharsis. I have created my language to communicate with this prudent world; some understand it, and some judge it. My autobiographical work narrates it well for questioning the status quo for eccentrics. It also addresses social justice and creates a dialogue for various traumas and their healing. It is an intimate story told through symbols of self-portraits, figures, and flies depicted as ordeals. Sunflowers are a symbol of hope, healing, and resilience. It captures my moments between hope and despair of mental disorders and human connections with my surroundings. It narrates my relationship with mind, body, and soul in connection with society for my eccentricity. 

‘Sleep’ | 30×48 inches | acrylics on canvas
‘Paradigm’ | 30×48 inches | acrylics on canvas
‘Endurance’ | Acrylics on canvas | 24×24” circular
Conversation with demons | acryics on canvas | 30 x 42 inches
‘Shame I’ | acrylics on canvas | 18×18 inches
‘Shame 2’ | acrylics on canvas | 18×18 inches
‘Survival mode’ | acrylics on canvas | 30×30 inches
‘Survival mode II’ | acrylics on canvas | 30×30 inches
When I died in my own apartment in my own bedroom in my own bed during a pandemic | Video | 2020 | Displayed at Yan Jiao Biennale, China
‘His shame on her I’ 2018 | acrylics on canvas | 46×46 inches
‘Smile Please 1’ | 2018 | Acrylics on canvas | 18×12 inches
Smile Please 3′ | 2018 | Acrylics on canvas | 18×12 inches each

Kite flying Project in Vlissingen, The Netherlands by Hans Overvliet, Ruimte Ceasuur –

In the 70th anniversary of the State of Israel, Overvliet asked twenty artists from home and abroad to create a work of art on a hexagonal sheet of Japanese paper that could be converted into a kite. The resulting kites were launched on the beach of Vlissingen on October 20, 2018. The artist wanted to recall the fact that in 2011, the Guinness record for the largest number of simultaneously launched kites was broken by children from the Gaza Strip: 12,350 kites stayed in the air for the required 30 seconds at a time.
My work was connected to the horrors of rape in relation with every warfare.

It bleeds 1 ‘ 2018 | acrylics on kite paper
It bleeds 2 ‘ 2018 | acrylics on kite paper

‘Who will attend my funeral? ‘ 2017 | Interactive installation | Text written on these post cards is collected from survivors of domestic violence and sexual abuse.

Taaruf (Introduction) ‘ 2016 | acrylics and pen on paper | 12×18 inches
She with one of him I ‘ 2013 | Acrylics on canvas | 24×36 inches
She with one of him II ‘ 2013 | Acrylics on canvas | 24×36 inches
She with one of him III ‘ 2013 | Acrylics on canvas | 24×36 inches | Price upon request
She with herself ‘ 2013 | Acrylics on canvas | 24×36 inches
Madar Padar Azad ‘ 2012 | acrylics and ink on canvas paper | 12×28 inches
She I ‘ 2013 | Acrylics on canvas | 12X12 inches
She II ‘ 2013 | Acrylics on canvas | 12X12 inches
Share her pain’ 2015 | interactive installation | Post cards
Untitled ‘ 2016 | acrylics on canvas | 12×11 inches
Blue trauma’ 2012 | acrylics on Plexi glass| 18×24 inches
Red trauma’ 2012 | acrylics on Plexi glass| 18×24 inches
Untitled’ 2009 | acrylics on Plexi glass | 18×24 inches
Rush hour 1 ‘ 2010 | acrylics on Plexiglass | 24 x 36 inches
Rush hour 2 ‘ 2009 | acrylics on canvas | 12 x 14 inches

Leave a comment